#Studio one pro how to#If this is something that seems like a familiar scenario, or you are someone that’s dabbling in Studio One, but still needs to deliver a Pro Tools session for your productions - then I hope this article / video helps!!Īnd as always, if you enjoy this content, please - Share, Subscribe, and hit that like button.The following tutorial shows the user how to use the Presonus Compressor plugin in Studio One 4. BUT - When a song is in it’s production phase, where all the options are still on the table, and edits are not yet set in stone - nothing beats the flexibility of an AAF. “Raw” audio Files consolidated to Bar 1 are great. For example, If you were hired to deliver basic files, that are going to be mixed by someone else in another DAW all together. In some cases, this may in fact be preferable. If stems weren’t a good fit, then my next immediate thought would be to Export Raw Audio Files/Regions. It’s super easy in Studio One, and there are also tons of different options in terms of exporting exactly what you need to deliver. This is a fantastic way to work, that’s used extensively in the industry. Before I create an AAF export, My first thought would probably be to Export Stems. You don’t always need to deliver an AAF! - In fact, it may not be the best option. ie: I was not able to track with my own interface, or computer, and had to use the Studio’s Computer / Pro Tools setup. This is about a relatively painless workflow that can be used to get your Studio One Song over to Pro Tools when you need to! It’s also worth mentioning that I have done this (on the spot) in the middle of a session on more than one occasion when the situation called for it. This is NOT about “DAW WARS” - I use Studio One because (for me) it’s the perfect fit, and I can work faster than I ever could in Pro Tools even when my Pro Tools chops were razor sharp. But in all my time, I have never seen another DAW that can “hand off” an AAF to Pro Tools, and when it gets put back together - it’s not a complete disaster. But In some cases, certain programs may handle one thing really nicely - but then they fail in other areas. And it has always been like this since I first starting using AAF’s. One BIG area for me, is that most AAF’s do not properly translate clip/region/event based gain - So your whole entire Gain staging could be off. This could be that it splits up stereo files to dual mono, or maybe the panning doesn’t always come across, or that it changes equal power Fades to linear. It’s a really elegant solution.īefore I go any further, let’s address a few things quickly:ĪAF is NOT a perfect translation - there is always something that needs to be taken into account. #Studio one pro software#Meaning that I can get my whole entire Studio One Song - Over to Pro Tools, in minutes, no matter how complex it is, and whether I’m using Virtual Instruments or need to “Freeze” or “render” FX Plug-ins (such as Software Amp Simulators). To which my reply is - In my humble opinion, Studio One has the best AAF Export workflow (with Pro Tools) that I have personally ever seen in a DAW. For this reason, I don’t use Studio One as much as I would like to.” “I would love to use Studio One - and I do use it for my own production, but for certain projects, I have to work in Pro Tools - or at the very least, deliver a Pro Tools session. I’m paraphrasing here, but it goes a little something like this: And to be honest, the response I usually get is always the same. Whenever I do any seminars, there are always a handful of Pro Tools users in the audience. In addition to running my Music Production business, and creating content, I also do some work on behalf of PreSonus as a freelance Studio One clinician.
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